cdu::Centre for Drama Art

1. Hiroko Tanahashi i Max Schumacher / Posttheater (new york / berlin)/

Haptički medij kao pristup multimedijskim izvedbama

1. svibanj - 8. svibanj
Multimedijalni institut Mi2 , Kino LIKA ( Zagreb )

Kako publiku «haptički» približiti izvedbi? Uspješna integracija novih tehnologija i dramskih umjetnosti otvorila je nove mogućnosti izvedbe, no ona ujedno predstavlja i zamku te može udaljiti publiku s obzirom na svoju hladnoću i distanciranost. Upotreba videa i kompjutora u plesu i kazalištu otvara pitanja zanimljiva za analizu i daljnja istraživanja. Kako njihova upotreba može postati učinkovitija? Cilj ovog seminara je izravnije i snažnije promišljati načine upotrebe novomedijskih tehnologija. Posttheater tematizira odnose koji nastaju implementacijom novih tehnologija u izvedbenim umjetnostima.

Sudionici / Studenti i profesionalci iz područja plesa, glume, režije. Pozvani su također i multimedijalni, video i audio umjetnici, dizajneri i arhitekti, itd. koje zanimaju kazališno - izvedbene forme (ples, kazalište, cirkus i sl.)

Tehnički zahtjevi / Polaznici se mole da, po mogućnosti donesu vlastite video kamere i / ili fotografske aparate. Budući da je ideja koju Posttheater želi prenijeti "Multimedijalno kazalište moguće je i s tosterom", svi mogući tehnički uređaji biti će sakupljeni na hrpu kao polazna točka i izvor materijala za grupni rad.

Glavni dijelovi radionice /

1. UVOD:
Kratka prezentacija radova Posttheatra: Uvod u metodu rada i pristup multimedijskom izvođenju. Rasprava o važnosti upotrebe medija u kontekstu izvedbe i njenom sadržaju / naraciji. Površine i objekti kao plohe projekcije.
Debata između low-tech i high-tech tehnologije.

2.RADIONICA:
Predstavljanje sudionika radionice. Formacija radnih grupa.
Radni zadaci: Zadatak je proizvesti site-specific, kratki performans uz upotrebu tehnologija (on mora uključivati prostor, povijest tog prostora u svoju priču i prezentaciju medija s kojim se radi). Mora biti inspiriran zadanim tekstom / temom.

3. PREZENTACIJA
Posttheater prati, savjetuje i vodi rad grupe.
www.posttheater.com

Hiroko Tanahashi (Japan/Berlin) is a graduate of Tisch School of the Arts Film and Television Program at New York University (BFA) and of the MFA Program in Multi Media Design and Technology at Parsons School of Design, New York, where she focused on interactive media arts. She has worked as art director for film and stage designer for theatre. She is a core member of post theater since 1999. Hiroko has realised various performances, solo exhibitions, and video installations, for instant The Last Circus (2002), an interactive theatre piece, which has been shown at the Parsons Auditorium, New York; FLIE (2003), a hybrid between design and fine arts, a post card sculpture at Laura Mars Group, Berlin; the ongoing Tanabata Performance series, a mobile car installation in different cities at the annual Tanabata (The Day of the Milky Way) Holiday (in Berlin, Vienna and Belgrade); Delicious Moves (2004), a culinary graphic exhibition installation about legendary Japanese Bento boxes (Zagreus Projekt Berlin), or Heavenly Bento (2004), a multimedia theatre about two founders of a Japanese electronic concern, which premiered recently at the Theatre Biennale, Bonn.

Max Schumacher Born in 1973. Studied theater, communication and German literature at the Humboldt University Berlin. 1997-1999 Masters Program in performance studies with a focus on directing and multi-media at New York University, Fulbright scholarship. 1996 assistant director at the State Theater Dresden for "Art". Since 1998 director of the international "Post Theater" Company, which works site specific and with multi-media. Productions in New York, Berlin, Wien, Seoul and Singapur.

2. Dos à Deux

Pokret, objekt i koreografija u kazalištu

06 lipanj / 12 lipanj 2005
KAM-HRAM (Split)

Tema : prijenos tezine i predmeti u koreografiranom kazalistu

Opis prvog dijela:
Zagrijavanje (pod, prostor) kao uvod kako bi polaznici bili spremniji i fizicki i psihicki na daljnji rad: radit cemo na ravnotezi, centru, i oslobadanju od tenzija, fluidu i razlicitim kvalitetama pokreta, tezini (podrske, kontakt, odnos tijela prema podu) i dodiru )kontakt s drugom osobom, vodjenje, kroz zagrijavanje.

- Prvi i drugi dan (06 / 07 lipanj)
Kontakt i podrske / slusanje drugoga
Radit cemo na tijelu, dodiru i razlicitim nacinima uspomoc kojih dolazimo u kontakt s drugim, prijenosu tezine, odnosu podrzavatelj/ podrzani, hod po tijelu drugog, skokovi, tijelo kao marioneta tj. auto manipulacija ili manipulacija partnera.

- Treci dan (08 lipanj)
Muzikalnost pokreta
Rad po Decroux tehnici, protuteza, stilizirani nacini hodanja, stilske figure...
Pokret: Dinamican rad zasnovan na preplitanju brazilskog, africkog i orijentalnog ritma.

- Cetvrti i peti dan (09 / 10 lipanj)
Pristup-odnos prema predmetu
Manipulacija i odnos prema predmetu u koreografiranom kazalistu
Zanemariti cemo pravu funkciju nekog predmeta i pronaci novu, stiliziranu funkciju.

- Sesti dan (11 lipanj)
Kompozicije dueta/tria gdje je polazisna tocka tekst ili tema kojeg izabire svaki od polaznika. Princip je kreirati psihicko i dramatsko stanje u tijelu i pokretu. Izbor glazbe, izbor kostima, mjesta na kojem ce se raditi

- Sedmi dan (12 lipanj)
Sinteza rada
Prezentacija

Dos a Deux

The company was founded in Paris in 1997 by Artur RIBEIRO & André CURTI, with the aim of developing artistic research on gestural theatre.
Their first production, Dos à Deux, which gave its name to the company, showed-cased their talents in a gestural composition marked by emotion and sensation. The duo has had international success since 1998 and has performed more than 300 times. Their second duet know the same success and this performance has presented more than 250 times in about 12 different countries.

Andre Curti

Creator & interpreter. 1980 to 1986, Sâo Paulo, Brazil, acting & dancing course at the Jogo Estudio School & the Vento Forte School. 1986 to 1990, teacher at the Jogo Estudio Theatre School. In theatre, appeared in a number of productions (touring in Brazil) under the direction of Eugenia Teresa. In cinema, worked with Hilda Machado & Renato Tapajos, & then in France with Olivier Fourout & Joël Dagarre. Based in France since 1990, actor in the Graal Theatre company, directed by Odile Michel & Patrick Olivier, in “L’école des Bouffons” & “Le cycle du crabe”, (festival of Avignon ‘91 & ‘93). Since ‘92, actor-dancer in the company “A fleur de peau”, directed by Denise Namura & Michel Bugdhan. Participated in all their productions: “Scarlet tout court”, “4 Quart”, “Pendant que j’y pense” - followed by tours in Europe, Brazil….A player in Cirka Teater street theatre company in Norway, directed by Anne-Marit Saether, in the show “ Poste restante”, tour of Norway. Taught & gave workshops in France & abroad.
Created & interpreted “ Dos à Deux” with Artur Ribeiro; tour in Brazil, in Europe, India, Africa….

Artur Ribeiro

Creator & interpreter. 1990 to 94 , Rio de janeiro, Brazil, acting course in the University Uni Rio, dancing course at the Contempory Dance of Angel Vianna and the taps school Flavio Salles, Followed many workshops with Silvia Pasello, Maria Pia, Judith Malina, Moacir Goes, Sergio Melgaco et Ariane Mouchkine. Actor under the direction of Marcio Vianna, Susana Krueger, Daniel Hertz, Fernando Guerreiro, Herval Rossano, Tizuka Yamasaki et Jean Luc Corcoult. In Paris, since 1994, acting course in the School of Drama Mime and at the University of Sorbonne Nouvelle in Paris and clown course, and improvisation dance.
In France, followed workshops with : Stewen Wasson, Corinne Soum, Denise Namura et Ivan Bachiochi. Actor with the Odes Bleues (Eric Bouvron and M.Chanquia), the thaatre Yunqué (Serge Poncelet) and with Catherine Dubois, Annie Schildler and Josef Nadj.
Taught & gave workshops in France & abroad. Created & interpreted “ Dos à Deux” with Artur Ribeiro; tour in Brazil, in Europe, India, Africa….

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O projektu / About the project Koorganizatori / Coorganizers Kontakti i adrese Raspored - triatlon 2005 Impressum 1. Hiroko Tanahashi i Max Schumacher / Posttheater (new york / berlin)/ Haptički medij kao pristup multimedijskim izvedbama 1. svibanj - 8. svibanj Multimedijalni institut Mi2 , Kino LIKA ( Zagreb ) Kako publiku «haptički» približiti izvedbi? Uspješna integracija novih tehnologija i dramskih umjetnosti otvorila je nove mogućnosti izvedbe, no ona ujedno predstavlja i zamku te može udaljiti publiku s obzirom na svoju hladnoću i distanciranost. Upotreba videa i kompjutora u plesu i kazalištu otvara pitanja zanimljiva za analizu i daljnja istraživanja. Kako njihova upotreba može postati učinkovitija? Cilj ovog seminara je izravnije i snažnije promišljati načine upotrebe novomedijskih tehnologija. Posttheater tematizira odnose koji nastaju implementacijom novih tehnologija u izvedbenim umjetnostima. Sudionici / Studenti i profesionalci iz područja plesa, glume, režije. Pozvani su također i multimedijalni, video i audio umjetnici, dizajneri i arhitekti, itd. koje zanimaju kazališno - izvedbene forme (ples, kazalište, cirkus i sl.) Tehnički zahtjevi / Polaznici se mole da, po mogućnosti donesu vlastite video kamere i / ili fotografske aparate. Budući da je ideja koju Posttheater želi prenijeti "Multimedijalno kazalište moguće je i s tosterom", svi mogući tehnički uređaji biti će sakupljeni na hrpu kao polazna točka i izvor materijala za grupni rad. Glavni dijelovi radionice / 1. UVOD: Kratka prezentacija radova Posttheatra: Uvod u metodu rada i pristup multimedijskom izvođenju. Rasprava o važnosti upotrebe medija u kontekstu izvedbe i njenom sadržaju / naraciji. Površine i objekti kao plohe projekcije. Debata između low-tech i high-tech tehnologije. 2.RADIONICA: Predstavljanje sudionika radionice. Formacija radnih grupa. Radni zadaci: Zadatak je proizvesti site-specific, kratki performans uz upotrebu tehnologija (on mora uključivati prostor, povijest tog prostora u svoju priču i prezentaciju medija s kojim se radi). Mora biti inspiriran zadanim tekstom / temom. 3. PREZENTACIJA Posttheater prati, savjetuje i vodi rad grupe. www.posttheater.com Hiroko Tanahashi (Japan/Berlin) is a graduate of Tisch School of the Arts Film and Television Program at New York University (BFA) and of the MFA Program in Multi Media Design and Technology at Parsons School of Design, New York, where she focused on interactive media arts. She has worked as art director for film and stage designer for theatre. She is a core member of post theater since 1999. Hiroko has realised various performances, solo exhibitions, and video installations, for instant The Last Circus (2002), an interactive theatre piece, which has been shown at the Parsons Auditorium, New York; FLIE (2003), a hybrid between design and fine arts, a post card sculpture at Laura Mars Group, Berlin; the ongoing Tanabata Performance series, a mobile car installation in different cities at the annual Tanabata (The Day of the Milky Way) Holiday (in Berlin, Vienna and Belgrade); Delicious Moves (2004), a culinary graphic exhibition installation about legendary Japanese Bento boxes (Zagreus Projekt Berlin), or Heavenly Bento (2004), a multimedia theatre about two founders of a Japanese electronic concern, which premiered recently at the Theatre Biennale, Bonn. Max Schumacher Born in 1973. Studied theater, communication and German literature at the Humboldt University Berlin. 1997-1999 Masters Program in performance studies with a focus on directing and multi-media at New York University, Fulbright scholarship. 1996 assistant director at the State Theater Dresden for "Art". Since 1998 director of the international "Post Theater" Company, which works site specific and with multi-media. Productions in New York, Berlin, Wien, Seoul and Singapur. 2. Dos à Deux Pokret, objekt i koreografija u kazalištu 06 lipanj / 12 lipanj 2005 KAM-HRAM (Split) Tema : prijenos tezine i predmeti u koreografiranom kazalistu Opis prvog dijela: Zagrijavanje (pod, prostor) kao uvod kako bi polaznici bili spremniji i fizicki i psihicki na daljnji rad: radit cemo na ravnotezi, centru, i oslobadanju od tenzija, fluidu i razlicitim kvalitetama pokreta, tezini (podrske, kontakt, odnos tijela prema podu) i dodiru )kontakt s drugom osobom, vodjenje, kroz zagrijavanje. - Prvi i drugi dan (06 / 07 lipanj) Kontakt i podrske / slusanje drugoga Radit cemo na tijelu, dodiru i razlicitim nacinima uspomoc kojih dolazimo u kontakt s drugim, prijenosu tezine, odnosu podrzavatelj/ podrzani, hod po tijelu drugog, skokovi, tijelo kao marioneta tj. auto manipulacija ili manipulacija partnera. - Treci dan (08 lipanj) Muzikalnost pokreta Rad po Decroux tehnici, protuteza, stilizirani nacini hodanja, stilske figure... Pokret: Dinamican rad zasnovan na preplitanju brazilskog, africkog i orijentalnog ritma. - Cetvrti i peti dan (09 / 10 lipanj) Pristup-odnos prema predmetu Manipulacija i odnos prema predmetu u koreografiranom kazalistu Zanemariti cemo pravu funkciju nekog predmeta i pronaci novu, stiliziranu funkciju. - Sesti dan (11 lipanj) Kompozicije dueta/tria gdje je polazisna tocka tekst ili tema kojeg izabire svaki od polaznika. Princip je kreirati psihicko i dramatsko stanje u tijelu i pokretu. Izbor glazbe, izbor kostima, mjesta na kojem ce se raditi - Sedmi dan (12 lipanj) Sinteza rada Prezentacija Dos a Deux The company was founded in Paris in 1997 by Artur RIBEIRO & André CURTI, with the aim of developing artistic research on gestural theatre. Their first production, Dos à Deux, which gave its name to the company, showed-cased their talents in a gestural composition marked by emotion and sensation. The duo has had international success since 1998 and has performed more than 300 times. Their second duet know the same success and this performance has presented more than 250 times in about 12 different countries. Andre Curti Creator & interpreter. 1980 to 1986, Sâo Paulo, Brazil, acting & dancing course at the Jogo Estudio School & the Vento Forte School. 1986 to 1990, teacher at the Jogo Estudio Theatre School. In theatre, appeared in a number of productions (touring in Brazil) under the direction of Eugenia Teresa. In cinema, worked with Hilda Machado & Renato Tapajos, & then in France with Olivier Fourout & Joël Dagarre. Based in France since 1990, actor in the Graal Theatre company, directed by Odile Michel & Patrick Olivier, in “L’école des Bouffons” & “Le cycle du crabe”, (festival of Avignon ‘91 & ‘93). Since ‘92, actor-dancer in the company “A fleur de peau”, directed by Denise Namura & Michel Bugdhan. Participated in all their productions: “Scarlet tout court”, “4 Quart”, “Pendant que j’y pense” - followed by tours in Europe, Brazil….A player in Cirka Teater street theatre company in Norway, directed by Anne-Marit Saether, in the show “ Poste restante”, tour of Norway. Taught & gave workshops in France & abroad. Created & interpreted “ Dos à Deux” with Artur Ribeiro; tour in Brazil, in Europe, India, Africa…. Artur Ribeiro Creator & interpreter. 1990 to 94 , Rio de janeiro, Brazil, acting course in the University Uni Rio, dancing course at the Contempory Dance of Angel Vianna and the taps school Flavio Salles, Followed many workshops with Silvia Pasello, Maria Pia, Judith Malina, Moacir Goes, Sergio Melgaco et Ariane Mouchkine. Actor under the direction of Marcio Vianna, Susana Krueger, Daniel Hertz, Fernando Guerreiro, Herval Rossano, Tizuka Yamasaki et Jean Luc Corcoult. In Paris, since 1994, acting course in the School of Drama Mime and at the University of Sorbonne Nouvelle in Paris and clown course, and improvisation dance. In France, followed workshops with : Stewen Wasson, Corinne Soum, Denise Namura et Ivan Bachiochi. Actor with the Odes Bleues (Eric Bouvron and M.Chanquia), the thaatre Yunqué (Serge Poncelet) and with Catherine Dubois, Annie Schildler and Josef Nadj. Taught & gave workshops in France & abroad. Created & interpreted “ Dos à Deux” with Artur Ribeiro; tour in Brazil, in Europe, India, Africa…. top
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