13.11.2005., 20:00, MaMa, Preradoviceva 18. International Festival, presentation, www.international-festival.org

12.11.2005. 22:00, Kazaliste Vidra Draskoviceva 80 The importance of having a concept (working version / radna verzija)

Koncept i režija / Concept and directing: Oliver Frljić
Izvode / Performers: Darija Dozdor, Zrinka Uzbinec, Oliver Frljic
Scenografija / Stage set: Ivan Dobran
Kostimografkinje / Costumes: Zorana Meic
Tehničarka za zvuk / Sound technician: Ivana Karaconji

Predstava se kreće kroz tri problemska polja. Na prvom se nezavisno razvijeni izvođački materijali jukstaponiraju, te se pokušavaju naći oni vanjski efekti kojima se među njima može proizvesti ne samo veza, već uzročno-posljedična veza. U središtu razmatranja je onaj moment u kojem puka sukcesivnost počinje funkcionirati kao kauzalnost. Na drugom polju se razmatra situacija izvođača u onom tipu izvedbe za koju tehnički nije opremljen. Na ovaj način se pokušava problematizirati pomak unutar pojma virtuoznosti. U središte razmatranja se stavlja trenutak u kojem se izvedbeno i diskurzivno događa pomak od virtuoznosti shvaćene kao tehničke perfekcije ka virnooviski redefiniranoj virtuoznosti kao svakoj djelatnosti koja nalazi vlastito ispunjenje u samoj sebi, bez vanjskog opredmećenja. Na trećem polju se analizira onaj izvedbeni minimum koji je potreban da bi se izvedba označila kao plesna predstava i ideološki background na kojem se ovaj minimum konstituira.

Three planes of performative problems are explored in this performance. Our prime interest is the establishing of causal connection between independently developed performative materials by juxtaposing them and adding external theatrical effects. The focal point is the moment in which simple succession starts to function as causality. The situation of a performer inapt for the type of performance she executes, presents an another field of examination. Thus the performance tries to problematize the shift which occurs in the concept of virtuosity. Emphasis is placed on the moment in which the performative and discursive shift from virtuosity considered as technical perfection, to virtuosity considered as every action which is fulfilled in itself without an external objectification, as redefined by Virno The tertiary plane of analysis explores the performative minimum that is necessary for the performance to be labeled as a dance performance and the ideological background on which this minimum is constituted.

12.11.2005. 20:00, Kazaliste Vidra, Draskoviceva 80 k.o. Solo: Ciklus/1

11.11.2005. 20:00, Galerija Nova, Teslina 7

Davide Grassi: DemoKino – Virtual Biopolitical Agora
An Anti-entertainment Interactive Movie www.aksioma.org/demokino

What is DemoKino? DemoKino is a virtual biopolitical parliament that throught topical film parables provides the audience (voters) the opportunity to decide on issues that are, paradoxically, becoming the essence of modern politics: the questions of life.

10-15.10.2005. Work/Shop: into creative processes and discourses related to dance and technology Facilitator: Scott deLahunta (NL)

The Work/Shop is open for proposals from advanced students and professionals from any background. APPLY / PRIJAVI SE

9.9.2005. 19:30, Tvornica Badel, Šubićeva in the framework of OPERACIJA:GRAD / OPERATION:CITY Nik Duric (Showcase Beat le Mot) & students of the Academy of Drama Art, Zagreb: MY FACE IS A SHOPPING DISPLAY (Moje lice je ekran koji kupuje), performance

8.9.2005. 20:30, Tvornica Badel, Šubićeva OPERACIJA GRAD / OPERATION CITY: OPENING

2.9.2005. posebno izdanje Frakcije GOAT ISLAND's WHEN WILL THE SEPTEMBER ROSES BLOOM? LAST NIGHT WAS ONLY A COMEDY, Part One: Reflections on the process / Part Two: Reflections on the performance osvojilo presti?nu zlatnu statuu iF Communication Design Award više

12-19.8.2005. Imaginary Academy, Grožnjan, Istria Workshops: COOKING FOR COMPANY / Nik Duric & ASSEMBLING THE IMAGINARY / Ric Allsopp više

20.6.2005. 19:00, Galerija Nova, Teslina 7

Promocija novog broja časopisa FRAKCIJA posvećena predstavi Kada će procvasti rujanske ruže? Sinoć je to bila samo komedija skupine GOAT ISLAND

15.6.2005. NEVIDLJIVI RAD: Kristina Leko + Ivan Marušić Klif

Srijeda, 15.6. u Galeriji Nova (Teslina 7) u 18h. više

10.6.2005. NEVIDLJIVI RAD: Silvio Vujičić + Dejan Dragosavac Ruta

Petak, 10.6. u Galeriji Nova (Teslina 7) u 19h. više

3.6.2005. 20:00, ZKM, dvorana Istra, Alice Chauchat & Alix Eynaudi: Crystalll, plesna predstava.

CRYSTALLL problematises the ornamental function of performance.
We call performance's "ornamental function" its formal dimension, its capacity to give visual pleasure initself, without any other discursive aim than defining aesthetics through its formal properties (ornamentthen appears as non-useful, freed from representative roles); the ornamental object doesn't represent aconcept other than itself but lets itself be contemplated without a link to an absent object. The "spectacular function" is its backside, the ability to bewitch, through which a performance can absorbits audience. više

2-4.6.2005. Politike virtuoznosti / Politics of virtuosity: performances, discussions & lectures više

2.6.2005. 18:00h, &TD predstava Mårten Spångberg: Powered by Emotions više

1.6.2005. 18:30h, polukružna dvorana &TD-a, promocija triju knjiga biblioteke AKCIJA

Branko Gavella: Teorija glume - od materijala do ličnosti
Hans-Thies Lehmann: Postdramsko kazalište
Branko Gavella: Dvostruko lice govora
više

16.5.2005. Nevidljivi rad: Slaven Tolj + Sandro Đukić

Ponedjeljak 16.5. u Galeriji Miroslav Kraljević (Šubićeva 29), 12-19h radovi, 19h razgovor

14.5.2005. 20:00h i 22:00h, ZKM, dvorana Janje, k.o. : Solo: Ciklus/1

Ciklus, koreografski je esej skupine k .o koji se referira na različite aspekte fenomena umjetničkog rada u mediju plesa i koreografije. Kroz autoreferencijalni sustav Solo : Ciklus se bavi istraživanjem normativne ideologije koreografske prakse, zahvaćajući pitanje opipljivosti medija plesa kao takvog, njegove receptivne vidljivosti i značenjske neuhvatljivosti . više

13.5.2005. 19:00h, ZKM, dvorana Janje, k.o. : Solo: Ciklus/1

12.5.2005. 20:00h, polukružna dvorana &TD-a, Thomas Lehmen: Stanice, predstava

Thomas Lehmen je jedan od najvažnijih suvremenih koreografa, a dolazi iz kruga umjetnika okupljenih u Berlinskom Hebbel Theatru, žarištu nove europske kazališne scene. Projekt STANICE formiran je u obliku istraživanja autopoietskog karaktera sustava (karakteristike da se sistemi i živa bića samo-obnavljaju, konstantno generiraju na molekularnoj razini sastavne dijelove koji su potrebni kako bi se očuvala unutrašnja organizacija), kako u plesu tako i u drugim proizvodnim ili sociopolitičkim okolišima. više

1.5.2005. Čestitamo prvi maj, praznik rada!

Projekt O RADU cjelogodišnji je projekt CDU-a. više

28.4. 2005. 12:00, MaMa club, prezentacija projekta TRIATLON

Projekt francusko-njemačko-hrvatske suradnje u polju plesa i kazališta pokreta. više

27.4.2005. 12:00, Novinarski dom

Znamo što hoćemo! Rješavanje problema prostora za nezavisnu kulturu i mlade u Zagrebu. više

26.04.2005. 20:00h : Booksa, Marticeva 14d

PROMOCIJA NOVOG BROJA FRAKCIJE pod nazivom save as...city.doc

09.04.2005. Nezavisna kultura u gradskoj kulturnoj politici 12.travnja 2005. u 12 sati u Novinarskom domu

Prva u nizu tribina kojima se problematizira nesrazmjer između aktivnosti nezavisne kulture kao jednog od najintenzivnijih generatora novih kulturnih strategija, prezentacijskih, istraživačkih i suradničkih projekata i njenom mjestu u kulturnoj politici, urbanom planiranju i političkim odlukama gradske uprave. više

04.03.2005. Tanzquartier Wien

Goran Sergej Pristas took part in a panel entitled Politics of Publication, New collaboration in the framework of congress\live act\intervention\publication entitled Inventory: dance and performance, Tanzquartier Wien, 3-5 March (visit www.tqw.at).
Why do we produce ourselves, promote ourselves, distribute ourselves and explain ourselves? Why are we “as well” around?“ Starting from the experience of being the editor-in-chief of performing arts magazine Frakcija for already 10 yeas now, I’d like to emphasize the fact that most of Eastern-European performing arts journals (Maska, TkH, Frakcija) came out not only because of the clash of laws of the art-market and “law of energies and interests”. Reflecting this experience I realize that each issue of the magazine we published was an event for us and it never engaged theorists only, but mainly the artists who are always in situation to produce themselves, promote themselves, distribute themselves and explain themselves. At the same time I realize that we’ve been seriously considered in the performing arts circuit mainly because of our writing on brand-jokers, which was not the case in the performing arts non-related circles. Frakcija achieved international interest after we wrote on artists who were already in the focus of interest. Why are the pages on Eastern-European artists still blank pages in our magazines? Why are those texts not referential at all? Is it because the overall interest and existing energies do not produce a pregnant moment. And, are we egotEastic?”

19.01.2005. 20:00 MM centar, Savska 25

Nik Duric from showcase beat le mot & students of the Academy of Drama Art in Zagreb present:
MY FACE IS A SHOPPING DISPLAY (Moje lice je ekran koji kupuje), an installation
MY FACE IS A SHOPPING DISPLAY is an installation dealing with questions such as: what are new forms of labour in postfordism? How do information technologies change labour concepts? The boundaries between work and leisure are blurred. Communication is the most productive work of today. Leitmotiv of the performance is a bag, capitalist bag, richman’s bag, refugee bag... The performance is a side effect of the workshop that took place in Imaginary Academy Groznjan in September 2004. and in Zagreb in January 2005. organised by Centre for drama art. The performance is one of the activities in the framework of CDU’s 2005. annual project On labour. Project On labour is a part of the project Zagreb – Cultural Kapital of Europe 3000.
The workshop/performance is supported by Goethe Institute in Zagreb.
Credits:
René Pollesch, Danijela Kapusta, Saša Djuric, Tsunami DingDong, Uskrs Božic, Deutsch Telekom, Turbo Katolik

Ticket reservations

10.11.2004. New FRAKCIJA is released

Writing about /theatrical/ performance /art/ is always a disturbing challenge and an inevitable defeat. At some point, each act of writing about performance faces the fact of its inadequacy. The greater the awareness of this fact, the greater the challenge, the greater the defeat: writing is inadequate because it deals with the invisible, transitory, inaccessible: a large part of the process of creation still remains outside the gaze, the time, intensity and experience of the particular, "immediately actual" (Bert O. States) performance: and that performance itself is always already disappearing: it becomes itself through disappearance": the written word always already betrays and lessens the promise" of the ontology of performance (as it is radically marked by Peggy Phelan). FRAKCIJA decided to follow as far as possible /in proximity of performance/ the process of creating a performance, to co-operate through texts, photographies, drawings that come about in the process and alongside the process, as reflections of those witnessing the respective stages of the work (Part One): to accompany the life of performance in front of its audience: to explore how is a performance performed after it has actually been performed, that is in the stage/or even, on the stage/ of reception, emotional experience and REFLECTION (Part Two)

22-26.02.2005. ZagrebDox International Documentary Film Festival

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