Center for Dramatic Arts – CDU Zagreb
EAST-DANCE-ACADEMY
What To Affirm? What To Perform?
Projekt EAST-DANCE-ACADEMY afirmira situacije i načine povijesnog pojavljivanja koreografskog mišljenja u neinstitucionalnim uvjetima. U nedostatku ikakve institucionalne potpore, suvremeni ples se u socijalističkim društvima pojavljivao i probijao kroz različita umjetnička područja i umjetničke prakse. Ples je tako bio “ugošćen” u eksperimentalnom teatru i filmu, glazbi i umjetnosti performansa. Projekt EDA istražuje načine kojima je ples razvijao specifične strategije samoorganizacije, samoedukacije i političke aktivacije.
18. 2. 2008.
CDU
Deželićev prilaz 26
20.00 h
Reconstructing actions-exhibitions by the Group of Six Authors – maintaining the semantics of public space
presentation
Authors:
Goran Ferčec
Jasna Žmak
The theoretical work on the actions-exhibitions by the Group of Six Authors was started with the intention of conducting the analysis, examination and affirmation of the performative concepts in the public practices of the Group of Six Authors during the seventies. The analysis was aimed at actions-exhibitions performed in the area of the city of Zagreb which also, apart from their conjuction with the public space, had the quality of public performances/operations.
By researching the existing materials (photographs, videos, interviews, catalagoues, written documents, testimonies) and their sistematization, a possibility of reconstructing the original practices of the Group of Six Authors has occurred. This possiblity consists in trying to find a new referential and authorial array in the area of public space and its radical shift that occurred in the period between the seventies and now.
The goal of this project is the archiving and the affirmation of the mentioned materials, using the concept of the May 75 magazine (originally self-published by the Group of Six Authors) which is, in the follow up, offered as raw material to other authors/artists that can broaden this core structure either theoretically or practically by questioning the applicability of the perfomative methods used by the Group of Six Authors in the contemporary context.
19. 2. 2008.
mama club
Preradovićeva 18
20.00 h
Cinematic Modes of Choreography
lecture/screening by Tanja Vrvilo
The author will present her research on choreographic thinking in the field of cinema, based on Croatian narrative and non-narrative film. Her starting points are the fundamental historical and theoretical determinants of film in terms of technology and recording – film as a reflection of scientific and philosophical spirit of the times, in which film and philosophy seek to reflect upon movement together. She has studied the continuity of movement describing the figure (rather than the figure in a given moment) from its prehistory, from chronophotography to the aesthetics of attraction: film choreography between composition, mise-en-scène, deframing, and montage in a broader sense: choreography for the camera and choreography of the camera. It is a non-cineatic and pro-cineatic reality: bodies in a (cineatic) landscape, corporal figurations in narrative and non-narrative film: body as a form, figure, or object (body in the literal sense). It is dance film or film dancing in various types of experimental or avantgarde film: art film, abstract film, trans film, structural or conceptual film.
The author will present two fundamental, but opposed modes of corporality in experimental film: the choreography of everyday and ceremonial (festive) body (Deleuze) in experimental films by Vlado Kristl and Ivan Martinac.
20. 2. 2008.
mama club
Preradovićeva 18
20.00 h
Early Croatian Dance Film
lecture/screening by Jelena Mihelčić
The program consists of 5 Croatian dance films made in the period of the fifties, the sixties and the seventies and which were made by some of the most prominent Croatian choreographers of the period such Ana Maletić and Milko Šparemblek. Most of them were first dance films ever made in Croatia.
1. Milan Katić, Secret of the I.B. Castle, 1951., 22'
2. Ana Maletić, Magics, 1966., 13'
3. Vera Maletić, Radiant, krajem 60-ih, 11'
4. Ana Maletić, Three legends, 1971., 45'
5. Milko Šparemblek, Phaedra, 70-ih, 45'
A cooperation of Allianz Kulturstiftung, Centre for Drama Art Zagreb, Centrul National al Dansului Bucuresti, Maska Ljubljana and
Tanzquartier Wien.
Partners: Walking Theory (Belgrade), INPEX (Stockholm), Art-Workshop Lazareti (Dubrovnik), Kanuti Gildi (Tallin), mama klub (Zagreb)
Supported by: City Office for Culture – City of Zagreb
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